- Mayuri Telugu Full Movie Watch Online
- Mayuri 1985 Telugu Movie Online
- Watch Mayuri Telugu Movie Online
Mayuri is titled 'Maya' in the Tamil version. Nayantara's character is named Mayuri in the Telugu version, but when she calls people, their phones light up with the name 'Apsara'. She takes cheques addressed to Apsara. When you begin to think this will lead to a twist where it is revealed that Mayuri is actually someone called Apsara, you manage to lip-read and realise that the character is called Apsara in the Tamil version and no one bothered to correct it in the visuals here.
All the Tamil script is converted into Telugu. However, it is absurd when you read 'cheekati' in Telugu and the corresponding English script reads 'irul'. Likewise, 'velugu' becomes 'velicham' in the English script. Dubbing as a process has undergone a sea change from the days when people read out Telugu from a letter filled with the curls and squiggles of Tamil script, so clearly someone's been sleeping on their job. And if they were going to be so lazy, why change the title of the movie when it doesn't at all affect the movie?
The dubbing quality isn't the only problem with Mayuri. It has three subplots - one with Mayuri (Nayantara), a separated single mother struggling to make ends meet as she tries to find acting jobs; one with a printing press which publishes a story on a ghost from an erstwhile asylum; and one with the asylum itself where the inmates were treated inhumanly a couple of decades back. They all come together by the end, but you're already bored to death by then.
If our description of the plot makes you feel we didn't create an interest in the primary conflict of the movie, well, neither does the movie itself. The establishing of the subplots takes its own time, and it stretches without really engaging you. The beginning has a nice bang to it and there are the jump-out-of-your-seat thrills, but they are so infrequent and so short-lived, you might consider reading the newspaper for more sustained horror.
And these subplots come with a plethora of characters. There are Eleven important characters in the movie - yes, we counted - but the director Ashwin Saravanan is no Steven Soderbergh. The end effect is a cluttering of screentime and mindspace. Saravanan succumbs to the temptation of infusing a consistent story in a horror flick when all that was required was to make the audiences jump at regular intervals. People walk into horror movies expecting a compelling storyline about as much as they walk into a Dhoom movie expecting logic.
And it is a pity because you can see that Saravanan is actually great at making a horror film. He gets the atmosphere right - you feel tense throughout. However, it barely pays off. The thrills are extremely effective, but the issue is they are non-existent for a large part of the movie. Seeing it all compels you to indulge in counterfactuals where Saravanan works with a scriptwriter who can actually put flesh and blood (figuratively and literally) in the proceedings. How good might that have been!
Practically every other department does a great job. Nayanatara, for one, has mastered the art of looking very attractive without exhibiting vast amounts of dermal real estate. And she acts comfortably in this one. Not just her, the entire cast is good. Not one of them is a bad actor. However, none of them is really required to do much. They all look their parts, display some basic acting chops, and go home with their paycheques.
The one department which is stellar is the cinematography. Sathyan Sooryan comes up with wonderful visuals, and even minor detail like juice falling into a glass makes an impact. The spooky atmosphere we talked about is built in good part by his spectacular work aided by some compelling score by the composer Ron Ethan Yohaan. The score makes you sit up and look out for the thrills (that just don't come enough). The editing, too, is very competent with interesting cuts making very good use of the cinematographer's interesting frames.
We saw some headline about the film with the actor Aari claiming that it was made on international standards. We agree. Mayuri is mounted very well with state-of-the-art production values. But that brings us to the common mistake that people make - praising or 'encouraging' a movie for a 'good attempt'. We'll avoid this and instead choose to say that despite the great talent of everyone involved, Mayuri is a huge bore for a great part of the runtime.
All the Tamil script is converted into Telugu. However, it is absurd when you read 'cheekati' in Telugu and the corresponding English script reads 'irul'. Likewise, 'velugu' becomes 'velicham' in the English script. Dubbing as a process has undergone a sea change from the days when people read out Telugu from a letter filled with the curls and squiggles of Tamil script, so clearly someone's been sleeping on their job. And if they were going to be so lazy, why change the title of the movie when it doesn't at all affect the movie?
The dubbing quality isn't the only problem with Mayuri. It has three subplots - one with Mayuri (Nayantara), a separated single mother struggling to make ends meet as she tries to find acting jobs; one with a printing press which publishes a story on a ghost from an erstwhile asylum; and one with the asylum itself where the inmates were treated inhumanly a couple of decades back. They all come together by the end, but you're already bored to death by then.
If our description of the plot makes you feel we didn't create an interest in the primary conflict of the movie, well, neither does the movie itself. The establishing of the subplots takes its own time, and it stretches without really engaging you. The beginning has a nice bang to it and there are the jump-out-of-your-seat thrills, but they are so infrequent and so short-lived, you might consider reading the newspaper for more sustained horror.
And these subplots come with a plethora of characters. There are Eleven important characters in the movie - yes, we counted - but the director Ashwin Saravanan is no Steven Soderbergh. The end effect is a cluttering of screentime and mindspace. Saravanan succumbs to the temptation of infusing a consistent story in a horror flick when all that was required was to make the audiences jump at regular intervals. People walk into horror movies expecting a compelling storyline about as much as they walk into a Dhoom movie expecting logic.
And it is a pity because you can see that Saravanan is actually great at making a horror film. He gets the atmosphere right - you feel tense throughout. However, it barely pays off. The thrills are extremely effective, but the issue is they are non-existent for a large part of the movie. Seeing it all compels you to indulge in counterfactuals where Saravanan works with a scriptwriter who can actually put flesh and blood (figuratively and literally) in the proceedings. How good might that have been!
Practically every other department does a great job. Nayanatara, for one, has mastered the art of looking very attractive without exhibiting vast amounts of dermal real estate. And she acts comfortably in this one. Not just her, the entire cast is good. Not one of them is a bad actor. However, none of them is really required to do much. They all look their parts, display some basic acting chops, and go home with their paycheques.
The one department which is stellar is the cinematography. Sathyan Sooryan comes up with wonderful visuals, and even minor detail like juice falling into a glass makes an impact. The spooky atmosphere we talked about is built in good part by his spectacular work aided by some compelling score by the composer Ron Ethan Yohaan. The score makes you sit up and look out for the thrills (that just don't come enough). The editing, too, is very competent with interesting cuts making very good use of the cinematographer's interesting frames.
We saw some headline about the film with the actor Aari claiming that it was made on international standards. We agree. Mayuri is mounted very well with state-of-the-art production values. But that brings us to the common mistake that people make - praising or 'encouraging' a movie for a 'good attempt'. We'll avoid this and instead choose to say that despite the great talent of everyone involved, Mayuri is a huge bore for a great part of the runtime.
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Download Mayuri (1985) Telugu Mp3 Songs
Mayuri (1985)
.:: Tracklist ‘n’ Download Links ::.
Click below to Download all the songs
OR
Click on the song to Download
Ee Paadam
Download Link
Download Link
Gourisankara Srungam
Download Link
Download Link
Idi Naa Priya Narthana Vela
Download Link
Download Link
Kailasamlo Taandavamaade
Download Link
Download Link
Mounam Gaanam Madhuram
Download Link
Download Link
Music Bit (Mayuri)
Download Link
Download Link
Vennello Mutyamaa
Download Link
Download Link
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“ | Because I've met you..I'm no longer an existence that was born to disappear. | ” |
—Mayuri |
Mayuri 1985 Telugu Movie Online
Mayuri | |
---|---|
Profile | |
Kanji | 万由里 |
Romaji | Mayuri |
Gender | Female |
Height | 154 cm |
Species | Spirit |
Hair Color | Blonde |
Eye Color | Deep Pink |
Personal Status | |
Media | |
Anime Debut | Date A Live Movie: Mayuri Judgement |
Portrayal | |
Japanese | Sora Amamiya |
Mayuri (万由里,Mayuri?) is an exclusive character from the Date A Live Movie: Mayuri Judgement.
Summary
Mayuri is a Spirit born from the spirit mana that Tohka, Yoshino, Kotori, Kaguya, Yuzuru, and Miku unconsciously emitted due to their stress and desire to have Shido all to themselves. However, since she was born from spirit mana, she would eventually disappear.
Appearance
Mayuri is a young, beautiful girl with long blond hair and deep pink eyes. She's usually seen wearing a white sailor uniform. She also wears decorative gold earrings with a small pink and blue sphere attached to the accessory, with the later sphere changing color depending on the condition of her angel.
In her Spirit form, she gains an Astral Dress that takes the appearance of a short black dress with a slit in her chest and stomach. She also gains black gloves and gold gauntlets on her legs. On her back, she has a pair of angelic wings alongside four large transparent wings. Additionally, she has a smaller pair of wings attached to her ears as extensions. Mayuri's height is stated to be 154cm, and her three sizes are B80/W64/H90.[1]
Personality
Mayuri is a calm girl that rarely shows her emotions. She usually follows Shido around to observe his dates with the Spirits; to fulfill her and her Angel's goal. During the beginning, Mayuri did not seem to bother about the fact that she would eventually disappear. However, after seeing Shido go on a date with each of the Spirits he had sealed, she developed the desire of wanting to live and not disappear, along with the feeling of jealousy which she unconsciously develops that later prompts Kerubiel to go berserk.
History
Mayuri Judgement
One day, Mayuri was born into this world as Shido was about to cross the street. Despite this miraculous occurrence, she remains unnoticed by everyone around her. Later, Shido briefly sees Mayuri from outside the window of the train. Mayuri herself is then seen in the train compartment that is next to Shido and the others. After planning out the sequence of Shido’s dates, Shido once again sees Mayuri from outside the window. However, she quickly disappears after a car passes by. Mayuri is then seen walking down a street, with Kurumi observing her from the shadows.
At the end of both of Shido’s dates with Kaguya and Yuzuru, Shido caught another glimpse of Mayuri, who soon quickly vanishes afterward. At the end of Shido’s date with Yoshino, Mayuri can be seen behind the shrine where the date took place. Here, she looks up, observing a change in the invisible sphere above the city. At that moment, her earrings briefly change color. After Yuzuru’s date with Shido, Mayuri can be seen picking out the same necklace that Shido had given Yuzuru. During Kotori’s date, Shido sees Mayuri again in the kitchen. Despite Shido following after her, she quickly disappears again after taking one of Kotori’s candies. As Kurumi appears and talks with Shido, she briefly points to a railing where Mayuri was at. However, before Shido can talk to her, she jumps off the railing and vanishes again. During Shido’s date with Tohka, Mayuri can be seen in the corner, reading the results of an omikuji that she had in her pocket. She later reappears and passes a jar of condiments to Shido. However, Origami intervenes before Shido can talk to her.
Near the end of Shido’s date with Tohka, Mayuri reappears before Shido once more. She explains to Shido that she was born from the large concentration of Spirit power that Shido had been sealing away. Her purpose was to monitor the Spirits and ensure that their moods remained at their optimal point. However, since Shido had already accomplished that, she would now begin to disappear. Assuming her Spirit form, Mayuri begins to fly up to the sky. At that moment, the invisible sphere reacts and transforms into Kerubiel, Mayuri’s angel. Her angel then goes berserk, launching numerous energy attacks at everything. Mayuri is shocked at this and asks why Kerubiel is doing this. At that moment, Kerubiel drops down a sphere, which turns into a cage that imprisons her. As the Spirits and <Ratatoskr> try to fend off Kerubiel’s attacks, she realizes that Kerubiel was responding to her feelings of jealousy and desire to not disappear.
Mayuri is then freed from her prison by Shido, who breaks the cage open using his <Sandalphon>. After being freed, Kerubiel starts transforming into a demonic drill-like form. Grabbing onto Tohka’s hand, she acts as the catalyst that facilitates the transfer of everyone else’s power into Tohka. Realizing that Kerubiel will continue to regenerate unless the source of its spirit power is cut off, she kisses Shido, allowing Tohka to finally destroy Kerubiel.
However, the kiss also causes Mayuri to start disappearing since she is only made of Spirit mana and doesn’t have a physical form like the others. She tells a tearful Shido that she wasn’t born to disappear. Instead, she was born into this world to love him. As she fades away completely, she leaves behind her candy and necklace.
Media
- Light Novel
- Appearances:
Watch Mayuri Telugu Movie Online
- Movie
- Anime
- Appearances:
- Date A Live III: Episode 1
- Appearances:
Powers and Abilities
- Kerubiel transforms into a drill
- Kerubiel blasting thunder
- Kerubiel multiple attacks
- Kerubiel small cage
- Lahathelev
Angel: Kerubiel (雷霆聖堂 (ケルビエル), Raitei Seidō, lit., 'Thunder Sanctuary')
Final Form:Lahathelev [ラハットヘレヴ]
Astral Dress: Unnamed
Unlike most cases, Mayuri does not have complete control over her angel. Responding to her subconscious feelings of jealousy, her angel went berserk and started to indiscriminately attack everything in sight.
Kerubiel is capable of launching numerous blast of energy from every direction. Additionally, it can fire golden wheels as projectiles. Kerubiel is very durable, taking numerous hits from Tohka and the others in their sealed form and not being damaged by a direct attack from <Fraxinus>’s Mystletainn. Additionally, it can summon a small sphere that turns into a cage upon being in close contact with its target. The cage can regenerate itself unless the core is broken.
After Mayuri is freed, Kerubiel assumes a large drill-like form. In this form, it is capable of charging a large blast of energy from its tip. A single blast was enough to shatter Mana’s territory.
Quotes
- “When Spirit power is concentrated into a single place, I was automatically born. The vessel to do the verification….The result you witnessed indicates no need to start the system. Mine and Kerubiel’s role is finished.”[2]
- “Stop it! Kerubiel!”[3]
- “I am the embodiment of the Spirit power. Once the seal is broken, I will naturally disappear. Right?”[4]
- “Idiot. I was born from everyone’s Spirit power. Of course I don’t hate you. From the time I was I born, I loved you.”[5]
- “The same…as Shido.”[6]
Trivia
- Mayuri was born from the spirit mana of only the Spirits that Shido had sealed up to Miku Truth
- Kerubiel's name means 'The Flames Which Dance Around the Throne of God'.
- Mayuri has the character for 'ten thousand' (「万」由里) in her name. Though, unlike the other Spirits, it does not signify any position for her in the Kabbalah's Tree of Life.
- The numeral kanji character in her name could also stand for 'Myriad', as she was born from the combination of several Spirits' mana.
- A statue resembling Mayuri appears at the center of Mio's Angel, Ain Soph Aur.[7]
References
- ↑Date A Live Spirit Pledge
- ↑Date A Live Movie: Mayuri Judgement
- ↑Date A Live Movie: Mayuri Judgement
- ↑Date A Live Movie: Mayuri Judgement
- ↑Date A Live Movie: Mayuri Judgement
- ↑Date A Live Movie: Mayuri Judgement
- ↑Light Novel Volume 18
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Mayuri | |
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Directed by | Singeetam Srinivasa Rao |
Produced by | Ramoji Rao |
Written by | Singeetam Srinivasa Rao Ganesh Patro |
Starring | Sudha Chandran Subhakar P. L. Narayana Nirmalamma Potti Prasad K. K. Sharma S. R. Raju Suthi Veerabhadra Rao Y. Vijaya Mukku Raju |
Music by | S. P. Balasubrahmanyam |
1985 | |
Running time | 142 minutes |
Country | India |
Language | Telugu |
Mayuri (transl. Hindi - Female Peafowl) is a 1985 Telugubiographicaldance film produced by Ramoji Rao, directed by Singeetam Srinivasa Rao. It was dubbed into Malayalam and (Tamil) as Mayoori and remade as Naache Mayuri in 1986 in Hindi. The movie starred Sudha Chandran, Subhakar, P. L. Narayana, Nirmalamma, Y. Vijaya, Potti Prasad, K. K. Sharma, S. R. Raju and Suthi Veerabhadra Rao. This film is based on the real-life story of Sudha Chandran. The film was premiered at the 1985 International Film Festival of India.[1] The film was dubbed into Malayalam language as Mayoori. The film was screened retrospectively, during the 2014 International Film Festival of India in Celebrating Dance in Indian cinema section.[2] This film won 14 Nandi Awards, the most by any Telugu film.
Plot[edit]
Mayuri is a real story of classical dancer Sudha Chandran, who lost her leg in an accident on her way from Trichy to Chennai on June 1981. The story depicts on how she got a Jaipur foot and fights her way back as a dancer and succeeds in life.
Cast[edit]
- Sudha Chandran as Mayuri Olpam (Voice dubbed by Saritha)
- Veeramachaneni Subhakar as Mohan
- P. L. Narayana as Father of Mayuri
- Nirmalamma as Grandmother of Mayuri
- Suthi Veerabhadra Rao as Best Friend of Mayuri
- Y. Vijaya as Stepmother of Mayuri
- Chakri Toleti as Stepbrother of Mayuri
- Subbaruju
- Potti Prasad as Cop
Soundtrack[edit]
The music was composed by S. P. Balasubrahmanyam and the lyrics were written by Veturi Sundararama Murthy and Mankombu Gopalakrishnan ( Malayalam version).
No. | Song | Singers | Lyrics | Length (m:ss) |
1 | 'Ee Paadam' | S. P. Sailaja | Veturi Sundararama Murthy | |
2 | 'Gourisankara Sringam' | S. Janaki, Chorus | Veturi Sundararama Murthy | |
3 | 'Idi Naa Priya Narthana' | S. Janaki | Veturi Sundararama Murthy | |
4 | 'Kailasamlo Thaandavamaade' | S. Janaki, Chorus | Veturi Sundararama Murthy | |
5 | 'Mounam Gaanam Madhuram' | S. P. Balasubrahmanyam, S. Janaki, Chorus | Veturi Sundararama Murthy | |
6 | 'Vennello Muthyama' | S. Janaki, Chorus | Veturi Sundararama Murthy |
Awards[edit]
- Nandi Awards
- The film won the Nandi Award for Best Feature Film from Government of Andhra Pradesh in 1985.
- Best Director - Singeetam Srinivasa Rao
- Best Supporting Actress - G. Nirmalamma
- Best Screenplay Writer - Singeetham Srinivasa Rao, K. S. Prakash Rao & Ganesh Patro
- Best Cinematographer - Srihari Anumolu
- Best Music Director - S.P.Balasubrahmanyam
- Best Male Playback Singer - S.P.Balasubrahmanyam
- Best Editor - Gowtham Raju
- Best Art Director - V. Bhaskara Raju
- Best Choreographer - Seshu
- Best Audiographer - Yemmi
- Nandi Award for Second Best Story Writer - Ushakiran Movies Unit
- Special Jury Award - Sudha Chandran
- Special Jury Award - P. L. Narayana
- Filmfare Awards
- Best Director Telugu - Singeetam Srinivasa Rao (1985)
- National Film Awards
- National Film Award - Special Jury Award for Sudha Chandran in 1985
References[edit]
- ^http://iffi.nic.in/Dff2011/FrmIP1985Award.aspx?PdfName=IP1985.pdf
- ^http://www.iffi.nic.in/Indian%20Cinema%20Catalogue%202014.pdf
External links[edit]
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Mayuri_(film)&oldid=902279498'